The glowing embers of the fire illuminate the faces around the circle, and the charcoal scent of roasting meat wafts from the makeshift grill. Glass cups of sweet black shai glint in the flickering red-orange light as they're passed around, while overhead an astonishing canopy of stars dots the dark, moonless night sky with pinpricks of light drifting across the celestial wasteland of remote time and space. The wind blows gently across the silence of the desert, the only sounds the protesting grunts of the camels penned just behind us and the animated patter of rapid fire Arabic from my amiable Beduin companians.
Suddenly, as if by magic, there is the sound of loud music. The chords seem familiar, yet perhaps my mind is playing tricks on me? It couldn't be, surely? It is. A well-known husky voice growls the opening line, then another gravelly-sounding baritone interjects. Before Sting can add his guttural whine to Bryan Adams and Rod Stewart's wailing, a medley of heavily-accented cries rises from the manically-grinning Bedu as they sing along.
I'm in eastern Syria, sitting in the garden of a Beduin family with whom I'm spending the weekend. I came to visit the fabled Roman ruins of Palmyra; once, in another epoch, a hugely significant outpost on the Silk Road to the Orient, at its zenith ruled by the semi-mythical Queen Zenobia, purportedly a descendent of Cleopatra and Marc Anthony. The Zenobians, and the Romans, may have disappeared into the sands of the desert 18 centuries ago, leaving behind only dusty brown ruins, but not all the inhabitants of this area have been lost in the mists of time. The nomadic Bedu endure here, much as they have for countless millennia, eking a patchy living from the forbidding wastes of sand with camels and small flocks of livestock, wandering the desert with their black goat-hair tents, distinctive red and white checked keffiyehs, and legendary code of honour and hospitality.
Or so the story goes.
Few peoples have been as romanticised by Western travellers as the Bedu. Deified as timeless, immovable, immutable, much like the desert itself, the Bedu long ago ceased to be mere men in the eyes of awestruck orientalists. This race of supermen captivated desert explorers from the earliest days of Western encroachment in the orient. Revered by great men like Burton, Lawrence, and Thesiger for their apparently stubborn resistance to the influence of modernity and their refusal to alter their ancient way of life, these fairytale nomads perservere with their traditions of hospitality and welcome amid the inhospitable landscapes of the harshest, most unforgiving environment on earth.
I was introduced to Ahmed and his bewildering array of brothers, uncles, and cousins through a classmate in Damascus. Bedu hospitality being what it is, I was assured that "of course" there would be no problem in our showing up unannounced for a weekend. The welcome was predictably warm, the smiles sincere, and the tea predictably sweet. Yet far from anachronistic desert-dwellers, rejecting the advances of technology, "civilisation", and modernity, I found my expectations confounded by the often-confusing and contradictory reality of 21st century nomads. Camel-riding desert wanderers who use mobile phones and 4 wheel drives. Devout Muslims who worship Enrique Iglesias and Bryan Adams. Keffiyeh and jalabiyya-wearing fashion victims who argue vehemently over the relative merits of Giorgio Armani and Calvin Klein. Fiercely loyal traditionalists with a strong belief in the purity of their bloodlines who like nothing more than bedding Western tourists awestruck by the otherworldly beauty and exoticism of men who live in the desert.
Despite the late hour (it's well past 2am when we arrive), dinner is prepared and served with gusto. We sit cross-legged on the floor in the living room, a dizzying mosaic of carpets and rugs beneath us, low slung cushions at our backs. An ancient television in the corner shows reruns of what i take to be an Arabic version of Pop Idol. In the modern, globalised world, some things apparently cut across all cultural and linguistic boundaries: talentless masochistic wannabes lobotomised at birth included. The men, and they are all men, eat hungrily. Though it's late, or early, depending on your perspective, it will soon be dawn: the first rays of sunlight will bring the resumption of the Ramadan fast. The plates of humous, salad and chargrilled chicken are cleared away: we sleep where we eat.
Next morning Ahmed's designer jeans and t-shirt have been swapped for austere white robes and checked head-dress. The transformation is startling: suddenly he is no longer an urbane Westernised Syrian, but a desert-dwelling nomad. I fear my own borrowed keffiyeh effects less of a total metamorphasis on my appearance, though it does at least keep me cool as we ride camels to the nearby ruins. Palymra is certainly spectacular: in size, setting, and state of preservation it dwarfs anything in Turkey by a factor of at least ten. Yet given Syria's post 9-11 classification as a "rogue state" and "supporter of terrorism" by the West, the site is deserted. No tour buses or cruise ships here, al hamdu-li-Allah. Yet my hosts might disagree - the family business is tourism - as well as leading trips to the ruins and longer excursions into the desert, Ahmed owns a hotel in the nearby town of Tadmor. Other Bedu families earn a living (or not) in similar fashion: as a result of the slack market numerous camel-drovers and souvenir keffiyeh salesmen loiter languidly in the shade of Palmyra's ancient stones, scarcely a customer in sight.
Despite the tough times, Ahmed blanches at the suggestion of payment for our stay. As friends of a friend, Mauro and I are entitled to the full gamut of Bedu hospitality. Although their way of life is changing rapidly, some things remain the same. The Bedu will adapt their customs, just as they always have (contrary to popular belief, camels were a relatively recent addition to the nomads' arsenal of defences against the ravages of the desert), but Inshaallah their traditions of generosity and kindness to strangers will endure.
As I write this in a Damascus internet cafe, a familiar song plays on the radio. Bryan, Rod, and Sting croon the theme tune to The Three Musketeers. It occurs to me this makes a fitting motif for the Bedu and their ancient code of hospitality: "one for all and all for one." I prefer "Summer of 69" myself, but anyway...
